[Do NOT click on ANY LINK found in the comment section of this blog. No matter how innocuous the link MIGHT appear to be, it is MOST LIKELY SPAM or a link to MALWARE. I am disheartened by the need to do this, which accounts for the sparsity of posts this year.]
It's my birthday and today I celebrate one of my top joys in life, TV. I normally do this in three parts, but I've got some eye issues right now (cataract surgery coming) and I don't have the ability to throw out the normal five thousand words or so. But don't get too happy. My verbiage flows thanks to dictation software.
I remind all that this isn't the Best of list. It's not about supposed quality or uniqueness. There's no Game of Thrones or Mad Men, because I simply don't love those shows. I watch them, I enjoy them. But not as much as the shows on this list. And I don't apologize for what I enjoy.
Before getting to the Top 25 and the new-this-year Honourable Mentions, let me talk about my greatest disappointment, Arrow.
A comic-book related series. How could it go wrong? Well, despite being one of the many, many pretty people populating the series, Stephen Amell is amazingly wooden in his performance. And I actually think the effect was on purpose to give the feeling of a recent rescuee from a deserted island. Deserted? There were more people on that island than Manhattan, it seemed to me. Sure, we got a chance to see a couple of long-time DC characters on the island, including the eventually pretty important Shado. But the flashbacks were annoying, disruptive and the only rare moments when Amell didn't hold his face in a frozen smirk all season long. So, despite the presence of long-time fave supporting actors Paul Blackthorne and Colin Salmon, and the TV debut of Emily Bett Rickards (Felicity Smoak), who is cute, adorably geeky, young and CANADIAN!!!, Arrow cannot be recommended. Maybe in year two after Amell's botox injection in his jaws wears off.
By the way, no cartoon made my list this year despite good wind-downs for Green Lantern and Star Wars Clone Wars. And don't be afraid of Archer if you run across it and have already hit puberty. But the most cartoon fun I had this year was a DVD set of Bodacious Space Pirates, a Japanese anime. Annoying music and filled with the usual anime fixation on shots up girls' skirts. But a well thought out science fictional universe and some great voice-acting (including the English dubbing in the first 13 of the 26 episodes I saw).
And no computer tech news show from the Internet this year. I might have at least mentioned GeekTV with Cally Lewis and John P., but I normally caught up with them in bunches after the fact. And the dreary phone-obsessed news coming out of Tech News Today just turned me off. (I'm having issues with my emergency phone provider and will not be extending my agreement with Virgin Mobile. And I really hate that the idiot government lorded over by Stevie Harper continues to allow telephone company to take back pre-paid minutes for their telephone system. while if you buy a gift card from the SAME COMPANY, it lasts forever. Cuz you PAID for it.)
So, what DID make the Honourable Mention list. Sort of the B List consisted of Da Vinci's Demons from Great Britain, Elementary, The Following (which should have been better, but turned into this year's Smash, another way of saying an over-hyped disappointment for not being great, but merely good), Mr and Mrs Murder from Australia, Doctor Who from Great Britain (if for only bringing back some beloved doctors of the past), Continuum from right here in Canada and The Voice, whether it be the American, Australian or British versions. The Voice scores because of the minimal humiliation factor that drove American Idol for years and still plagues that show. And because I hear a lot of familiar old music when I watch. 'Nuff said. Continuum is here more for potential that realization. But the SF on the show is first-rate. Rachel Nichols might very well share an acting coach with Amell, which is unfortunate. But it is generally a clever show that had 'Time' in every first-season show title and 'Second' in every second season title. It's a little thing. But it amused me. Elementary was the American take on Britain's hugely successful Sherlock and came out second-best, but entertaining nonetheless. Da Vinci's Demons, had all the camera tricks from Sherlock, decent mysteries and the suddenly popular years gone waaaaaaaaaay by milieu.
The REAL contenders for the 25th spot and the REAL Honourable Mention shows were Kangaroo Dundee from Australia and Don't Trust That B---- in Apt. 23. Dundee only went two episodes but it really hit home just how much it takes to run a Kangaroo Rescue Centre out in the outback of Australia. Kangaroos are equal parts lovable and pains in the butt. But when the first episodes ends in a cliff-hanger of rain and fire, the second episode simply can't be missed. The other half of the HM list is a star vehicle for James Van Der Beek, who played a hyper-realized version of himself, parodying himself to a degree way beyond that of Matt LeBlanc in Episodes. He was funny throughout and co-stars Krysten Ritter and Dreama Walker were top-notch too. It was presented as a Mean Girl comedy, but Van Der Beek made it worth watching every episode that eventually got released. Too bad people preferred 'family' comedies about truly unlikable people pretending to be related to each other. Oh well.
25. Comic Book Men (Last Year: 15th)Hey, I know these guys. Not these specific guys, but Comic Book Shop guys. This is a reality show that hits home (I sell point of sale software into this niche market). In some ways, of the various guys, Walt and Bryan can be a bit meaner than the store manager and omni-present employee/customer that I'm familiar with (Bryan's got MY role in life). Plus Ming is played a bit more of a dupe than the minions at the stores I'm familiar with ... but not far off. In all, it's an ode to my world. So how can I NOT put Kevin Smith's vanity (store and show) project on my list. Again. If nothing else, it might teach people that bring stuff to nostalgia stores (including comic shops) that the store will ONLY give them 10 to 30 per cent of the perceived value of the item in question. IF the store wants to buy the item at all. I wish more people wouldn't go home disappointed in their dreams of getting rich not being realized.
24. The National with Peter Mansbridge (Canada)I found myself watching LOTS of news this year because I was too lazy to haul my butt up the stairs and into the office after watching the game of the night. And over that time, found myself enjoying the work of Mansbridge more and more. I actually started scheduling around being able to see the At Issue panel on Thursday's along with the commentary that followed it from Rex Murphy, our national curmudgeon who hails from Newfoundland ... and you know I'm half Newfie. I reached curmudgeonly status YEARS ago. Don't agree with Rex more than half the time, but it's fun listening to him bloviate. Or blovate if you don't like him.
23. Hart of Dixie (LY: 9th)It's all about Rachel Bilson, who remains one of the most likable actresses on TV. Like her, like the show. If she's not self-sufficient for you to spend an hour waaaay down South, then move along. nothing to see here. Not the biggest fan of Jaime King's Lemon but I warmed up to her this year. And the acting jobs by the men continues to entertain, with Cress Williams being the standout. I appreciate that Scott Porter and Wilson Bethel pull in the women. But for me, it's all about the sassy NYC import, Bilson's Dr. Zoe Hart. I look forward to visiting Bluebell again in the fall.
22. Dragon's Den tied with The Lang-O'Leary Exchange (Canada)I'm calling this the Kevin O'Leary slot. O'Leary isn't in the least, a likable person on TV. Don't think I'd get along with him in person either. But if I hit the jackpot, I wouldn't hesitate for a minute giving him some of my money to invest. (I'd be smart enough to share the money around several investment firms, but not smart enough to actually, you know, EARN the money). O'Leary is the signature Dragon and is so good at it that he plays the same role in the American Shark Tank. But he is always fascinating with what he says and every Den pitch really revolves around him making an offer or cruelly ending the commercial hopes of whoever wants his dough. (He's wrong JUST often enough for there to be some doubt as to his predictions). And on the Exchange, he tangles with the lust-worthy Amanda Lang, who's smart as a whip, can usually battle the free market guru to a draw and, as mentioned, is a not-so-secret crush of mine. Now, truth be told, I tend to 'catch up' with the shows Sunday nights when CBC frequently replays the shows after the late news. But that's the time I have available for watching it. So, come for O'Leary and stay for the lady, Ms. Lang.
21. Republic of Doyle (LY: 5th) (Canada)Okay, Okay, so they didn't kill off Mark O'Brien's Des character after all. Heck, last year's rating was almost completely based on the finale's shooting (and hopefully disposing) of the comic relief for a show that didn't need it. The banter between star Allan Hawcon, Sean McGinley and even the ever-beautiful Lynda Boyd was good enough for me. Plus there was Marthe Bernard and another of my crushes, Krystin Pellerin, to serve as either foils or threatened 'extended family' members for Hawco's Jake Doyle to rescue. Sigh. More Des foolishness and idiot savant insights plagued the show. Ergo, the precipitous drop in the rankings. But at least Jake and Leslie (Pellerin) were together by season's end. Well, up until the very end, with Leslie headed to Ottawa for a new job and Jake literally shanghaied and heading in the opposite direction. Lots of old friend and foes re-appeared this season. I hated the opening sequence that had Leslie undercover, but regardless, this detective show from God's Little Green Acre (Newfoundland if you've never read my blog before), makes the edge of my top 20 of the year. Now, would SOMEBODY make O'Brien an offer for a big-paying, high-profile spot on US TV?
20. The Blue Rose (New Zealand)Jane March, a temp secretary at a big New Zealand law firm, arrives for her first day of work to find  that she's filling the desk of a woman who died within the last few days  that a foul-mouthed friend of the dead woman invades her office to prevent the deadbeat ex-spouse from benefitting from the death  that the death might be murder and  that a gang of well-meaning do-gooders is forming to find Rose's killer. Yep, an eventful first day. The formation of the Scoobie gang (one of the other characters even remarks on who each of the various members are from the famous Scoobies of Scooby-Do fame). It takes two episodes for The Blue Rose Society to form: Jane, forcibly retired predecessor Sonya/Elizabeth, IT tech and certified bug-eyed worrier Ganesh and finally the courier service manager with a heart and no censor on her mouth, Linda. Along the way, the Scoobies help others who have been defrauded by putative bad guy Derek Peterson, played with Jack Welchian zeal by Stelios Yiakmis. I say putative because he and one of the Society members do end up in bed later in the series. Although the story lines about helping others only serves as an under-pinning for the murder investigation, there's enough to blunt the week-by-week impact of discovering just who murdered Rose, the event that kicked off the show. I know this show is on the bubble down New Zealand way. PLEASE TV3, order a second series.
19. VikingsThe show from the History Channel petered out at the end, turning into a well-shot, magic clap trap Nordic version of Game of Thrones. But until then, Travis Fimmel made Ragnar Lothbrok almost lovable, despite his pillaging, plundering, slave-owning and womanizing. But you never forget that the Vikings of lore were basically Northwestern equivalents of Atilla The Hun's hordes, trading horses for dragon shield ships. In the first episode he takes his son to see a beheading, not allowing him to turn away. He and feisty wife Lagertha (Katheryn Winnick, another Canadian treasure) engage in sparring that's as much physical as verbal. In other words, a man to observe from some safe distance away. Which, it turns out, is NOT England of that time. Ragnar, after deposing the old Earl (Played with nuance by Gabriel Byrne), makes a repeat voyage to England to bedevil the king of North Umbria. IF you decide to stop watching AFTER the King vows revenge for a successful second Viking incursion, you'll thank me. Skip the last two shows in Gotaland. Next year? Worth testing to see if the writers want to get rid of the mumbo jumbo and get back to pure violence and mayhem. That's what made the Vikings great.
18. Orphan Black (Canada)A tour de force by Tatiana Maslany, who plays seven different characters in this Canuck Sci-Fi show. Well, seven different clones of the same character. But they are all distinct and different enough to make Maslany's efforts noteworthy. To describe the plot is useless. You can't follow it unless you know all the players and all of them don't even know what's going on. The initial Maslany role is that of street punk Sarah who witnesses her own doppelganger commit suicide.. Naturally (hey, it's science FICTION), Sarah takes over the life of Beth, who's a cop currently on suspension because of a shooting gone bad. Flopping between her 'role' as Beth and her cop partner, Art (Kevin Hancard) and her own personna, Sarah, and her child-hood best bud Felix (an over the top Jordan Gavaris), she looks for information about who might be out to get her. By the second episode in, there are five different clones running around (well, four, another's dead quickly thanks to a sniper, which is the reason Sarah is so anxious to play cop). And of course, there's more clone discoveries on the way. I have this to say about Maslany: She reminds of the chameleon-like James Nesbitt. She benefits from a great costume department here while Nesbitt had to change characters in Jekyll with nothing more than body language. But the feat is in the ballpark.
17. The Big Bang Theory (LY: 17th)How's that for stability for you? My favourite scripted comedy, The Big Bang Theory does feel a little long in the tooth. Sheldon, played brilliantly by Jim Parsons, isn't quite as fresh as he used to be. The Sheldon-Amy affair has moved forward glacially, while the entertainment value has receded. But I honestly like the mature Penny-Leonard dynamic with Kaley Cuocco and Johnny Galecki and that keeps this show afloat after the mistake of breaking up Howard and Rajesh with Simon Helberg's Howard's marriage to Bernadette played by Melissa. Kunal Nayyar just can't carry the overly smart, but unattached Rajesh who's even more socially awkward than Sheldon. It's depressing. But in a sea of mediocre comedy on TV, I can still count on a half-dozen laughs and double that in sight gags every show. It used to be a contender for number one, actually getting to the summit of this list in 2009. But now it's just entertainment as I await the inevitable Penny and Leonard wedding in the series finale.
16. Real Time with Bill Maher (LY: 4th)When you get gifted by such a paper man as the Republican nominee for President in an election year, Bill Maher should have hit new highs in taking down Mitt Romney and his team. He didn't. It was almost like he didn't want to keep hitting somebody who was down. As much as he disliked Romney and his papier mache foundation, Maher knew that Romney was, at heart, a good man. The fun was all during the Republican primary season with the wingnuts on full display. After that, Maher amused himself by donating a million bucks to the Obama campaign to get a reaction. Which was predictable and vehement and not worth the oxygen wasted. He had some good guests, including David Frum who I grew to respect a lot. The news of his father's passing so soon after his father-in-law's death (Peter Worthington) was sad, very sad. But Frum seems to have his game face back on, given his good-bye blog at The Daily Beast. But Frum seemed the only Republican who wanted to discuss moving forward, rather than the Tea Party-driven back to the past campaign. And without two viable sides, the discussions at panel's table were almost all joke-driven setups for Maher. America needs a vibrant conservative party to help revitalize the liberal Democrats. It doesn't have it now and talking about the current brain-deadlock that passes for political discourse is just not as entertaining as it should be. As it used to be.
15. Would I Lie To You (LY: Tied 14th) (Great Britain / New Zealand)This is a Lee Mack vehicle in England and survives a truly awful year for his scripted comedy (Not Going Out) to keep Mack in my top 15. He's ably assisted by David Mitchell, the erudite opiner to Mack's crude Northman, and Rob Brydon who has now completely replaced Angus Deayton in my mind as the quizmaster. The show, which is SUPPOSED to be a game show featuring two teams of three celebrities telling whoppers (or truths) to each other and hoping the other side guesses wrong. But the show is moving further and further away from its game roots and turning into a gigantic "can you top this?" session and it works beautifully. I imagine they shoot 50 percent more questions than what appears on the air (Indeed there have been Christmas specials in recent years with some of that extra material). And the concept is so easy, and SO FUNNY, that it has made its wade to the opposite ends of the Earth where a successful season was held in New Zealand. I don't hardly know ANY of the Kiwi celebs, but the stories are name-defyingly funny. It is such a fool-proof concept. I wish it would come to Canada. George Stroumboupoulos would be the quiz master. Brent Butt and Rick Mercer would be captains. And hilarity would ensue. First episode? Nancy Robertson (Butt's better half) and Wendel Clark on Mercer's team against Butt, Raine Maida and Martin Short. Can I get a producer credit?
14. Nothing Trivial (New Zealand)What's this? A THIRD New Zealand show? Not as many as the number of Canadian shows. But still ... Take the almost dead Bar Trivia scene (internet-enabled phones have largely killed the art form), and add a bunch of interesting characters and you get a show that improved year over year and jumped into my Top 25. And I lent my disks to a friend from my old NTN Trivia days and he called me back three days later and sleepily asked when was the third season starting. Heh, heh, heh. Let's start with the why's with Tandi Wright, who plays Catherine Duvall a divorcee with a teenage daughter and an ex-rocker ex-husband. She's beautiful, complicated and just ready to emerge from social isolation when she meets up with Brian King's trivia team at the local bar. She's hooked the team's table and sits idly by after she acquiesces to letting them share the lucky table. As questions go by, she can't help but join in. And it's game on. She forms a loose association with Mac (Shane Delaney), hard-scrabble business woman Michelle (Nicole Whippy) and sunny Emma (Debbie Newby-Wood). Through the course of the season, Emma and Brian marry and go through the growing pains friends-turned-spouses often do. Meanwhile, the long-expected Mac/Catherine hook-up happens, but not without a lot of drama from Mac's ex, Jo, played with harridan horribleness by Katherine Kennard. Like with Comic Book Men, this series hits close to home and I recommend it highly.
13. Last ResortUnlucky 13th for the 13-episode long cancelled series. Last Resort was always a movie-length thriller puffed out into an ongoing series. A great idea with a bad follow-through. But in cancelling the series and giving the creators enough time to finish the story, a fairly strong story was created. Unlike many American shows not actually listed as a mini-series, Last Resort actually had a (GREAT) beginning, a middle and an end. Plus some strong acting from the likes of Andre Braugher (no big surprise there), Autumn Reeser, Daniel Lissing and Scott Speedman. Robert Patrick was, more or less, his usual ramrod self and Bruce Davison was a good guy Pentagon guy ... for a change. The idea of a nuclear sub taking over an island when it won't participate in a junta-driven pre-emptive strike on Pakistan by wackos in the American government and then declare itself a sovereign state, was brilliant and well-played. The problem is a lack of story possibilities inherent in that idea. It needed finishing, and finishing quickly. The lack of other savvy viewers provided that. Out of nowhere, the action came to a conclusion, with heroes returned to American soil and the bad guy warhawks thwarted by the actions of a single woman, Reeser's character. Her ability to rise above her beginnings as an annoying frenemy in The O.C. has me impressed with Reeser. Just wish she'd choose more long-lasting projects.
12. BansheeIf not for Vikings, Cinemax's Banshee would be the most violent show listed here. It's a caper show without a caper. But plenty of sex (we ARE talking about Cinemax here) and violence. Like a scene where the local Big Bad quickly cuts off the fingers of an underperforming underling and feeds them to the dog. Then orders the dogs after the fleeing man after they had finished their snack. That was NOT the most gruesome thing seen on the show. For a caper show that featured a recently released con taking over as sheriff of Banshee PA, the amount of crime committed by the former top-notch thief consists of exactly one show, a painting heist that comes out of nowhere. And Sheriff Lucas Hood's plan goes awry, needing help from former girlfriend Carrie Hopewell to get his butt out of the sling. And, although she denies it, Carrie, who used to be Ana back in the days before Lucas went to prison, is still hot for lawmen. Just takes her awhile to put thoughts of DA hubby Gordon behind her. Well, before he figures things aren't all that great and leaves concurrently ... with the kids. It's all a big mess that eventually brings Lucas and Ana into conflict with her father, played with Ukrainian Mob charm by one of the few names in the cast, Ben Cross of Chariots of Fire fame. He's the outsider Big Bad and brings guns, thugs and a revengeful attitude to town for a bullet-filled finale. And when it's all done, Cross's Mr. Rabbit is on the run, the local Big Bad, shunned Amish Kai Proctor (Ulrish Thomsen) is there to pick up the pieces for next season's goal of making Lucas (Antony Starr) and Carrie (Ivana Milicevic) miserable. But they will have Scoobies Job (Hoon Lee) and Sugar (Frankie Faison) by their side for that battle. Now, before anybody complains, I understand fake sheriff Lucas should have been more mindful of playing before the TV cameras, time and time again. Yes, the violence is often poorly shot. Yes, there are other logic holes throughout the show. But those are minor nits while we wait to see if the FOUR, count 'em, FOUR cliff-hangers pay off in the next season. Oh, and Odette Annable joined the cast late in the season. 'Nuff said.
11. New Tricks (Great Britain)New Tricks fell out of the top 25 last year after being fifth in 2010 and 18th in 2011. There has never, ever been an actual bad year in the nine seasons New Tricks has been on the air, but this season was the third best year ever for the geezer version of Cold Case. Obviously the first season and 2009-2010 series were the only seasons I enjoyed more. The reason for New Tricks' return to the rankings this season was the retirement of James Bolam's Jack Halford (in a teary-eyed ride off into the sunset. VERY well done). His replacement, inserting (relatively) young blood into the show was Dennis Lawson, playing Steve McAndrew, an ex DI from Glasgow. Adding a little Scottish circumspection into the team doesn't hurt the entertainment value at all. We did see less Brian Lane (Alun Armstrong) and even squad leader Sandra Pullman (Amanda Redman) than usual, but the show's producers put a lot of effort into setting up a budding friendship between Gerry Standing (Dennis Waterman) and McAndrew. A very, very good move. A season finale wherein Standing and McAndrew are seconded to the Glasgow police department to set up a UCOS operation there was a great show. Indeed, with spy shows, the traditional whodunnits and the inherent Scottish-English grin-inducing conflicts, it was a season to remember for New Tricks.
10. The Good Wife (LY: 11th)Honestly, the show is not as good as its heyday in 2011 when it was the best hour of entertainment on TV. But second-best Good Wife is plenty good. The focus has moved increasingly away from Alicia Florrick (Julianne Margulies)'s point of view to the other cast characters at her law firm. In many ways, this has become the reverse of a show like Boston Legal, where the firm boiled down to the characters played by William Shatner and James Spader. Here, rich vibrant characers played by Josh Charles, Christine Baranski and Archie Panjabi are worth watching all by their lonesome. Heck, even Matt Czuchry's Cary no longer caused me to clench my teeth over his smarminess. The character has grown up a lot. The backdrop to the season is the gubernatorial race Alicia's hubby with a past, Peter (Chris Noth), is contesting right down to a season finale on election night. I still think Panjabi's Kalinda might be the most interesting fictional character on TV. And Baranski can keep up (indeed, be more interesting this year) with Margulies. In most ways, The Good Wife is the consummate legal thriller each week. But that little bit extra the leads provide make this a top ten show. Again.
9. Red WidowCancelled, as was Last Resort. Ranked highly by me. Not that anybody cares. Oh well. Red Widow at least had a complete season and a fully complete story with a tiny, tiny Dallas-like cliff-hanger to look forward to a non-existent second season. Oh well. Radha Mitchell played widowed (in the first episode) Marla Walraven. She's the stay-at-home mom with three kids and a hubby who uses his boat to smuggle marijuana, enjoying a successful small niche in the local drug trade. Her brother, a loser for most of the series, helps out on the boat and dreams big ... and badly. Her papa is a west coast mob guy (the Russian mob). And yet she remains the perpetual protected princess. Then, when one of her brother's schemes goes awfully awry, her husband is murdered (and blamed for the botched heist for quite a while by the scruples-free brother). She has to assume the debt. Payable to local gangster Nicholae Schiller, played with charm and lethal attitude by Goran Visnjic. Who killed Marla's husband? The 'who' changes frequently it seems, and we know from the cliff-hanger, at least one of the kids didn't get the message about who the bad guy really was. Leaving a door to open and a gunshot to be heard. In the eight episodes of the series, Marla becomes fairly proficient, if nervous, while playing drug and gun runner. She comes ever so close to turning bad girl and to getting close to Nicholae. I wish we'd had more time to see if she could have continued to walk the line or go over it permanently. THAT would be some character development I don't think I have ever seen. A chance missed. Oh well.
8. The AmericansKeri Russell isn't Felicity anymore. Russell rose to fame in the late 90's, it seems, based largely on her hair. When she cut it, things went badly for her and for her series, Felicity. It took her awhile to find the right vehicle, but Russell is a star again, playing Soviet sleeper agent Elizabeth Jennings in the FX series The Americans. It's an early 80's era show with the FBI chasing after phantom Russian spooks living across the street in their nightmares. Except that's exactly the case where the Jennings, husband Philip (Matthew Rhys) and kids Paige (Holly Taylor) and Henry (Keidrich Sellati) are neighbours and budding best pals with FBI agent Stam Beeman (Noah Emmerich), his wife Sandra (Susan Misner) and their son Matt (Daniel Flaherty). The first episode sets up Stan as potentially suspicious of the Jennings family, but Philip outwits him and the spy race is on. It seems a one-sided chase for many episodes. Philip is cagey and works through his growing suspicion that the Western way might be the right way, while Elizabeth turns out to have a mean streak as wide as her fake smile. Stan's well-regarded around the office, run by Richard Thomas' Frank Gadd. But he doesn't seem as smart as he should be. He sets up Russian Embassy secretary Nina to spy for him, but eventually gets played long enough for Annet Mahendru's character to rise to power in the Embassy and set in motion becoming a triple agent. The Afghani-born Mahendru is a real revelation and is going to be a star. The various schemes that worked for so long fall apart under the relentless pressure of never trusting anyone and the first season ends in a cliff-hanger that has me thinking January can't come soon enough. Forget Christmas. Bring on The Americans.
7. Revenge (LY: 2nd)No "How Mighty Are the Fallen?" headlines here. The sophomore season for Revenge was almost as entertaining as the first year. On one side, you have the rich, rich ... and evil Grayson family with Madeleine Stower as Victoria and Henry Czerny as Conrad, the parents. On the other side is the once Amanda Clarke and now rich, rich, and revengeful Emily Thorne, played by Canadian Emily VanCamp. In between is Daniel Grayson, played by Joshua Bowman. He's the once, then not, then once again fiancee of Emily. Plus, there are continuing, if not long-lived, complications by the once-Emily Thorne who now is Amanda Clarke (played by Margaret Levieva). She's street-smart, but not Hamptons-smart. And even though she connives her way into marrying Jack, Amanda/Emily's one true beloved, she can't skirt by the issues she creates for Victoria and Henry, connivers of the first order. In a series where lots of people get dead, although admittedly mostly of the almost deserving kind, Amanda has committed a fatal mistake. Eventually. And once the Amanda issue is resolved, it's back to revenge plotting and executing. It's entertaining in a sort of embarrassing way. But I truly admire Emily's ability to mix revenge and romance.
6. RogueIf Red Widow took the titular heroine up to the line between right and wrong, Grace (Thandie Newton) takes that line and obliterates it in the first season of Rogue. Newton plays a cop who suffered having her kid killed in a random drive-by shooting last year. She's hanging on to her job and to her marriage by the tips of her fingers. And THIS is an officer the Oakland police send undercover? Clues to the non-randomness of her son's death point to the local crime family run by Jimmy Laszlo (Marton Csokas), The Laszlo's run the docks, but Jimmy is looking to move his youngest son over into legitimate business running a bank. But somebody has ripped him off of his 25 million dollars needed to set up the bank. The job of finding the thief and Grace's son's killer co-incides and Grace and Jimmy join forces. In several ways. Grace continues to act more like a gun moll than a police officer, even as dirty cop Buddy Wilson (Ian Hart) and good guy cop Lucas Mitchell (Ian Tracey) tried to keep her from going over the edge. Meanwhile the Laszlo gang crumbles as first one son and then the other, take shots at the old man. Literally in one case. After all the plotting and investigating is over, Grace is left standing and re-instated, while Jimmy seems to be walking away from the real Big Bad that operated the puppet strings from backstage all series long. My guess, is a second season sets up a rematch between Grace and Jimmy ... without the sex.
5. Person of Interest (LY: 13th)I'm a motormouth. It's genetic, I think. I've long admired people who can hold their counsel and then keep it short and pithy. I can't do that. The go-to actor to play a character like that was David Janssen The original Fugitive and Harry O, O'Hara and Richard Diamond. This century's version is Jim Caviezel. Now, on the face of things, Caviezel seems cut from the Amell mold. But Caviezel's ability to make stone-faced John Reese even more fearsome by smiling is impressive. Reese is not a talker. He's a doer, as the agent for Michael Emerson's Harold Finch. Harold is responsible for the computers that try to amass all the information floating around out there in the ether (we're talking the internet and assorted other computer conglomerations), and predict when non-terrorists are about to have a violent change of life experience. Then Reese intercedes. What made last year good was the fact that the spit out name isn't always the victim du jour. Sometimes they are the menace. And that separates Person of Interest from the normal perp-of-the-week police procedural. That and backup actors Taraji Henson and Kevin Chapman as Detectives Carter and Fusco. I think both are quite capable of winning a supporting actress/actor nomination. But the difference this year was a hard turn into true computerized paranoia. Bad guys figured out the existence of The Machine. Well, Bad Guys and Bad Girl, as played by Amy Acker (Root). But between the shadowy Decima operation and the police mob known as HR, the Good Guys find it a very difficult, if entertaining year. The season was a little convoluted, but it was worth unraveling the who's who to get to the finish line ... and empty building.
4. White Collar (LY: 3rd)See what not having Hilarie Burton around every episode will do? White Collar slides to fourth after two straight third-place finishes. And it was ninth back in 2010 before Burton started playing Sara Ellis in the caper show headlined by Matt Bomer (Neil Caffrey) and Tim DeKay (FHI Special Agent Peter Burke). Now, there are plenty of other good actors on the show. Willie Carson is wonderfully squirrelly as Mozzie and Tiffani Thiessen has matured into a wonderful wife for DeKay's Burke. And the Scoobies at HQ, Marsha Thomason (Agent Barrigan) and Sharif Atkins (Agent Jones), are a necessary part of the success of the show. But I hate that reduced role Burton has, even though her visit this season was top-notch. Of course, most of the season is a case of "Beware what you ask for, you might get it" or as it was described in the show notes, Caffrey's search for his father. Caffrey finds out that father figure Peter is more of a dad than his actual Pops, played with pseudo charm and sleaziness by Treat Williams. Like Caffrey, you WANT to believe Dad's back and things will be better in the future. Only not so much. By season's end, Caffrey is back where he started, on the lam, and Peter's going to have to play the father figure again. Now imagine how a full season with Caffrey and Ellis would place White Collar next year?
3. The NewsroomI really, really, really dislike Olivia Munn as an actor. Olivia Munn is in The Newsroom. And despite that, The Newsroom placed third this year. It's THAT good. Now, Munn is an undeniably cute young lady. And I've read she's a pleasure to work with. But on the Amell meter of acceptable acting capability she doesn't even rise to the threshold of having a rating. Her wooden readings off the prompter helped kill Attack of the Show, starting the rot that led to its extinguishing early this year. She was on and off the Daily Show before I could even complain or even consider a boycott. And The Newsroom is almost the best show of last year. It's that good. Now, some qualifiers. If you don't like Aaron Sorkin's writing, the rating is a cruel joke played on you for having read so far. If you have a problem with Jeff Daniels' character equating the American Tea Party with the Taliban (same recidivist attitude, different god prayed to), then oh, boy, is this the wrong paragraph for you. If like a LOT of people, including people in the media, you think shows ABOUT making TV are, at best navel-gazing, at worst, revealing how the sausage gets made, then you disagree with me vehemently. Reasonable men can agree to disagree. But you Newsroom haters, are wrong. Emily Mortimer is transcendent in this show, and were she single and drugged out of her mind, I would propose marriage to her immediately. Besides Daniels' weary newscaster Will McAvoy, there are also fine performances from Dev Patel as cyber-aware flunkie Neal Sampat, Sam Waterston as curmudgeonly News boss Charlie Skinner and Jane Fonda in a just-right amount of screen time as the media giant's owner. I didn't care about the love triangle between John Gallagher Jr (Jim Harper) and Thomas Sadoski (Don Keefer) with Alison Pill's Maggie Jordan in the middle. But Sorkin has never professed expertise in writing women characters. But he's done plenty fine with Mortimer's feisty producer Mac MacHale. Love it or hate it, the show knows no middle opinion. If you haven't watched it, you should. Then you should agree with me.
2. The Daily Show with Jon Stewart (LY: 1st)Did I mention the Daily Show's flirtation with Olivia Munn this past year? That'll teach Stewart. Now, having said that, Stewart et al produces the best half-hour (four nights a week, when not on vacation, which is a LOT of the time) on TV. It functions AS the news for a disarming number of liberal viewers. It's not as left-leaning as The Newsroom, but what's truly left of Sorkin? Still, the show fails to dominate TV simply because those on the right know they are going to be offended (being called on their righteous stupidity) and the lack of 50 per cent of the potential viewing audience stops Stewart from OWNING America. Although, his decision to take a Summer Vacation to direct, leaving the reins to a surprisingly effective John Oliver (the faux right winger, normally), has worked out well. Good for John. And Jon. The interviews at the end of the show are as important as the comedy bits up front. Those interviews continue to put 'real' news journalists to shame. Oliver and Stewart both can get two questions in in the space of a single Piers Morgan question. And here's the real trick of the show, they listen to the answer without interruption. Please take note Piers. If we wanted a monologue, you would have been auditioning for the late night talk shows. At any rate, mirth and information all wrapped up in a nice 22 minute package. That's the Daily Show (Can we get a fifth night when Jon comes back, with John being the Friday guy?).
1. ESPN 30 for 30Ask me what the best hour of TV I saw this past 365 days and I'll have no problem citing episode seven of the revived series of specials called 30 for 30 that ESPN put out starting back in 2010. Survive and Advance was the story of the incredible run by the 1983 North Carolina State Wolfpack through the ACC tournament and then the NCAA tournament itself, culminating in the biggest upset of all time in NCAA men's basketball tournament action. The win over Houston's Phil Slamma Jamma group of future NBA all-stars and pros. It was the story of Jim Valvano, the iconic figure that told ESPN audiences, "never give up, never give up, never give up," as he was dying from cancer. It was something he'd already told his players. And a reunion of sorts, with Dereck Whittenburg organizing a dinner to remember Valvano and Lorenzo Charles, who scored the winning hoop as time expired, The rest of the team and assistant coaches were there, offering up remembrances from a season never to forget, as the show went from season's start to Valvano running around the arena in Albuerquerque looking for somebody to hug. This after spending a month getting a hug from Whittenburg after each improbable win, only one of which over the two tournaments wasn't a knuckle-biter. I remember watching that run, all of it, as it happened. And not being a believer until the improbable basket-ward heave by Whittenburg settled into Charles' hands and he dunked while Olajuwon watched from five feet away, frozen to the floor. I watched later as Valvano was ousted from the job he loved by political opportunists and a hanger-on who wrote a tell-all book that was mostly fiction. I watched as Dick Vitale and Mike Krzyzewski helped their friend down from the podium after his riveting speech at the Espies. And I saw for the first time, Valvano's speech when he showed up at one last reunion of his players and staff at the Wolfpack gym. I'm tearing up again just remembering it. For that ONE episode, ESPN deserves to be the top show this year.
But, as they say in the commercials, there's more. Just this season, the series also produced memorable shows on Ben Johnson (9.79) and Bo Jackson (You Don't Know Bo). Broke, the season starter, was a mind-shattering look at fortunes blown by athletes over the years. And the other shows were of high quality if not within my interest spectrum. And it seems either SportsNet or TSN appear to be running reruns of the first series, including special shows on the death of the USFL, Reggie Miller vs The New York Knicks, Ricky Williams, The House of Steinbrenner and Once Brothers, the tragic story of the too short life of Drazen Petrovic and the friendship he gave up with Vlade Divac during the dissolution of Yugoslavia. Another tear-jerker. You can still see the pain on Divac's face all these years later.
TV should entertain and inform. It should evince emotion and better that emotion be love or tears of compassion, than anger. I think my list does all of that. They are the most enjoyable shows of the last 365 days. Maybe not the best and certainly not a match for anybody else's Best-of list. But I don't have any regrets for making this list public. Maybe some of you can enjoy previously undiscovered shows, too. See ya next year.